
Megan Abbott’s second novel is a hardboiled expose of the Hollywood studio system in the 1950s, revealing how the dark underbelly of the movie business was kept out of the media or was repackaged as glamour and glitz through the gossip magazines and newspapers. Hopkins is a master of spin, operating at the centre of that world, picking up the stars and wannabes who are living on the edge or skeetering out of control, dusting them down and making sure they retain their all-American, clean-living, family entertainment persona. His charm and success though masks his own dark secrets and shabby life – a serial philanderer unhappy in his own company whose wife has left him for his best friend. The Song is You is both an in-depth character study of Hopkins and his work, and a mystery tale of Jean Spangler’s disappearance. With a steady pace, careful plotting and a nice turn of phrase, Abbott spins a dark tale of sex, ambition, blackmail, greed, violence, and psychotic deviance – a tale that gets very dark in places. The characterisation is excellent, and like Ellroy, Abbott manages to evoke the time and place of 1950s L.A., immersing the reader in its the murky world. Overall, an enjoyable, dark story and I’m looking forward to reading more of Abbott's books. My review of Queenpin is here.

1 comment:
Rob - Thanks for this review! I haven't read this one yet, but I liked Abbott's Bury Me Deep. This sounds just as good : )
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