Wednesday, October 25, 2017

Review of Flashman’s Lady by George MacDonald Fraser (1977, HarperCollins)

Harry Flashman is back in London and has been asked to reprise his cricketing prowess at Lords. Unwittingly he’s dragged into a gambling racket and into the orbit of Don Solomon, a man with great wealth but an unclear past rooted in the Far East, who has taken a shine to Elspeth, Flashman’s beautiful but ditzy wife.  Solomon wants to take Elspeth and her doddery, scheming father on a cruise to the far-side of the world. For once, Flashman acts with chivalry towards his wife and when Solomon gets his way he tags along to keep an eye on her. The journey takes them down the African coast, round the Cape of Good Hope, into the Indian Ocean and to Singapore. There, Flashman is set upon and Elspeth kidnapped. Flashman hooks up with James Brooke, the White Rajah of Sarawak, to pursue his wife into the wilds of Borneo and a battle with pirates, ending his adventure on the island of Madagascar where he’s enslaved by despot, Queen Ranavalona.

Flashman’s Lady is the sixth book in the Harry Flashman series, but the second in chronological order, set in 1843-45. As usual, Fraser interweaves Flashman into real-world events and places from the time – in this case, cricket in London, James Brooke’s battles with pirates in Borneo, and the tyrannical reign of Queen Ranavalona in Madagascar, a deadly place for Europeans to visit. To a large degree these are three separate adventures just about held together by Flashman’s global chaperoning and pursuit of his air-headed wife, Elspeth. Moreover, Flashman almost slips out of character, for although he is his usual bawdy-self for once he is chivalrous to Elspeth, seeking to make sure she is safe rather than simply looking after himself as normal.  Of course, that doesn’t stop him getting up to high-jinks with other women. And Flashman continues in his misogynist, racist, imperialist ways – very much reflecting a certain British, nineteenth century mentality that feels somewhat uncomfortable in today’s politically correct times. Fraser plays the bawdiness and humour to good effect to deliver a swashbuckling adventure with plenty of social and historical commentary. Overall, an enjoyable if a little uneven addition to the series.

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