Dumped by his fiancée and his newspaper career on the skids, each day Pete Fernandez drinks himself into a stupor. When a writer for the paper asks him to look into the disappearance of his daughter, a reporter, Pete reluctantly agrees. It pretty quickly becomes clear that something is awry, though the police don’t seem to want to know. The journalist had been investigating a series of underworld murders committed by a mysterious hitman known as The Silent Death and it seems she might have been on the cusp of revealing his identity. He might be a mess, but Pete used to be a bloodhound reporter, and he’s soon ruffling feathers as he tries to track down the missing journalist. And as he digs deeper, he’s drawn into the world of his father, a homicide detective who’s recently died, and the body count of The Silent Death rises.
Silent City is a journalist turned PI tale set in Miami, following the attempt of a drunken, washed up reporter trying to track down a colleague who’d been working on a big story for the crime desk. It’s one of those tales where just about every character, regardless of their role, is already a part of the lead character’s life, the trajectory and mystery of the story is telegraphed from a very long way out, and the tale is driven forward by plot devices. And the characters were a little too typeset and one-dimensional. The result is a derivative crime thriller, told through workman-like prose, which has a decent pace, intrigue and tension, but is wholly unbelievable yet predictable. It passed the time, but sparked little else.
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