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I love these kind of books - noir capers. The material is dark and the pace relentless. Brown does an admirable job of spinning out a fast twisting yarn in taut prose shorn of all flab. Whilst Gabe remains a constant, there is an endless procession of characters, some of whom last barely a couple of pages before they’re dispatched. It takes a keen eye to keep up and I don’t mind admitting I had to skip back a few pages on occasion to remind myself who was who and how they were connected into the story. This probably says more about me - and reading when very tired - than Brown, who manages to keep the swirl of interconnected storylines all pulling in the right direction. It is fair to say, however, that the storytelling does sacrifice in-depth characterisation and contextualisation for pace and action, but Brown generally provides enough that the essence of the principle characters is evident. At times the shearing is a little too brutal and a little more fleshing out would have been useful, but that might have worked to make the text a little uneven in places. Regardless, Hill Country rattles along at an electric, entertaining pace and I enjoyed the ride. The thread and resolution with Abby was particularly nicely done.
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