Detective Sergeant Timo Harjunpää of Helsinki’s violent crimes unit is having a rotten time. He’s working the understaffed night shift and is constantly tired, he’s managed to get the wrong side of his bosses, a member of the public has put in a conduct complaint, he’s fallen in love with a colleague, and his long-lost, half-senile father has turned up and moved in. To add to his woes he’s been given the task of tracking down a peeping tom who’s also an expert lock pick who lets himself into women’s apartment in the small hours to watch them sleep. Every time he’s been spotted he’s managed to get away, leaving the women unnerved and some wondering whether he was every really there. Tweety is a loner, living somewhere between reality and fantasy. He’s also part of a criminal family. He might be naïve about some aspects of the world, but he knows how to remain elusive. It doesn’t help that the cop in pursuit is constantly distracted and hampered in his task.
To Steal Her Love is a police procedural set in Helsinki, though not a mystery in that the reader knows the culprit from the start. Indeed, Joensuu’s narrative is divided into two strands. The first charts the half-real, half-fantasist world of Tweety, a young man obsessed with beautiful women, but who is unable to approach them, instead breaking into their homes in the middle of the night to watch them sleep. When he’s not doing that he’s hiding from his domineering mother, working as a cobbler, or helping his brothers to rob banks. The second strand follows the home life and work of Detective Sergeant Timo Harjunpää of Helsinki’s violent crimes unit. Harjunpää is a stoic cop who grinds out results, and is torn between two women. Both strands are very nicely written and interwoven. Joensuu has an eye for characters and how they’re bound together in awkward relationships and conflicts, as well as the institutional politics and personal power games of the police (he was a serving police officer for many years). While the narrative seems to drift along and seems quite sedate, there’s actually an awful lot going on within the strands and subplots (some of which are not resolved). The result is a nicely written, layered tale that tells a compelling and engaging story.
Showing posts with label 1993. Show all posts
Showing posts with label 1993. Show all posts
Friday, January 8, 2016
Tuesday, December 29, 2015
Review of The Music Lovers by Jonathan Valin (1993, Dell)
An avid record collector, Leon Tubin is convinced that a member of the Cincinnati stereophile’s club has stolen thirty five of his most prized and valuable LPs. He hires private investigator Harry Stoner to investigate. It seems like a straightforward case, but Leon’s beautiful wife seems oddly out of place, there’s thirty thousand dollars hidden in their freezer, and his friends are an eccentric bunch and deny raiding his music collection. Then Leon is badly beaten and his wife kidnapped and Stoner has his work cut-out to try and track her down and return her safely home.
The Music Lovers is a private investigator tale in the classic American tradition. Harry Stoner is hired to recover some valuable records by an odd couple – a rather weedy, unattractive college lecturer and his bombshell wife, a former band singer. What seems like it might be a routine case quickly becomes something much more murky and dangerous. Using his wiles and tough guy act, Stoner has to solve the puzzle and do battle with a bad guy. It all feels a bit ‘colour by numbers’ but Valin plays the trope well providing a breezy and entertaining narrative and populating the tale with a mix of engaging characters. The result is tale that is enjoyable but lacking substance and edge.
The Music Lovers is a private investigator tale in the classic American tradition. Harry Stoner is hired to recover some valuable records by an odd couple – a rather weedy, unattractive college lecturer and his bombshell wife, a former band singer. What seems like it might be a routine case quickly becomes something much more murky and dangerous. Using his wiles and tough guy act, Stoner has to solve the puzzle and do battle with a bad guy. It all feels a bit ‘colour by numbers’ but Valin plays the trope well providing a breezy and entertaining narrative and populating the tale with a mix of engaging characters. The result is tale that is enjoyable but lacking substance and edge.
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