Hercule Poirot is flying from Paris to London. In the same section of the plane are ten fellow passengers - a Parisian lady, a countess and her friend, a businessman, a dentist, a hairdresser who has won the Irish sweepstakes, a Harley Street doctor, father and son archaeologists, and a detective author - who are served by two stewards. As they near the airport at Croyden, one of the stewards tries to wake the Parisian lady, Madame Giselle, only to discover that she is dead. At first it appears that she has died of a reaction to a wasp sting, but the ever observant Poirot finds at her feet a small blowpipe dart disguised as a wasp. The puzzling questions are who killed her and how were they not observed doing it given that none of the passengers witnessed another using a blowpipe? On landing Inspector Japp of Scotland Yard is on hand to investigate. It soon transpires that Madame Giselle was a wealthy moneylender who profited from making loans to selected individuals and made sure they paid by holding damaging information about them, and her will leaves her fortune to the daughter she gave away at birth. Whilst Japp flounders, Poirot uncovers some fairly clear links between some of the passengers and Madame Giselle, though others appear to have no connection or motive for her death. Through careful deduction he slowly pieces together what happened on the plane before denouncing the culprit.
Death in the Clouds is a classic locked room mystery - a murder is committed in a space occupied by thirteen people, yet no-one witnesses the crime and all of them could conceivably have a motive for the death. Christie excels at creating such puzzles and telling them in an engaging, often witty voice, that is all show and no tell. The secret is clever plotting that slowly reveals how various elements of the murder were committed and why, but which keep as many suspects in the frame as possible until a final denouement whilst feeding the reader red herrings and leading them down false paths as they try to determine the killer’s identity. Her telling is aided by well drawn characterization, especially Poirot and Japp, and some nice observational touches that keep matters plausible. There are two weaknesses to her style of storytelling, however, both evident in
Death in the Clouds. First, the story is all about the puzzle and rarely do they open up wider reflective questions for the reader. The effect is a tale that is intriguing but which lacks contemplative depth. Second, it is almost impossible for the reader to deduce the identity of the murderer before the denouement as some crucial clues are held back and often they are quite outlandish. Nevertheless,
Death in the Clouds is an enjoyable read and Poirot is a delight.
