Showing posts with label Katja Ivar. Show all posts
Showing posts with label Katja Ivar. Show all posts

Wednesday, November 25, 2020

Review of Deep as Death by Katja Ivar (2020, Bitter Lemon Press)

Winter, Helsinki, 1953. Hella Mauzer, the first woman to serve in the city's homicide unit, has been forced out and prosecuted for injuring a suspect. She’s set herself up as a private investigator, but her run of bad luck continues as she’s given a large fine to pay in a short time-frame and her relationship with a radio presenter has run aground. When a prostitute is found floating in the harbour, the brothel’s madam turns to Mauzer to help. The brothel is known to have catered to the city’s elite and the head of homicide is reluctant to investigate given the role of chief of police is up for grabs. However, an ambitious inspector in the unit is reluctant to toe-the-line. Mauzer thus finds herself competing with her old boss to solve the case and as other’s start to perish, the stakes are raised. 

Deep as Death is the second book in the Hella Mauzer series set in 1950s Finland. In this outing, Mauzer has been forced out of the homicide unit and has set herself up as a private investigator. She is hired to investigate the death of a prostitute by a madam who is aware the police are dragging their heels, afraid of upsetting political leaders. As she starts to make some progress, forces seem to conspire to thwart Hella’s efforts. At the same time, a young inspector spots an opportunity to move his career forward, running with the case against his bosses wishes. Ivar tells the story from the point of view of Hella and the inspector. It works reasonably well, providing two perspectives on the case, and creating a sense of competition between the two, and there’s a good sense of place and context. The story unfolds as a who-dunnit, with a rising body count and some twists-and-turns. The denouement, however, seemed to fall apart a bit, being somewhat unconvincing, and was wrapped up very quickly leaving the story without adequate closure.


Friday, April 19, 2019

Review of Evil Things by Katja Ivar (2019, Bitter Lemon Press)

East Finland, 1952. The first female member of the Helsinki murder squad, Hella Mauzer, has been transferred to Lapland for being ‘too emotional’ (shorthand for ‘being a woman’). Her new boss is also a chauvinist, and the inspector is lazy and likes to borrow things from her office. When a village reports an elderly resident missing Hella wants to investigate but her boss is reluctant to let her, arguing that he probably just got lost in the forest. Getting her way, she travels on a logging truck the forty miles into the forest, taking up residence with an Orthodox priest, his wife, and the grandson of the missing man. Some of the villagers are reluctant to help, but others aid the search, turning up the head and ribs of a blond woman, killed by a shot to the temple. Hella continues to work away at the case, but makes little progress. In the meantime her boss has stepped up his efforts to recall her to base. Hella, however, is stubborn, abrasive and determined to discover the truth.

Evil Things is a police procedural set in Lapland in 1952, close to the Soviet border. The story very much focuses on Hella Mauzer, a sharp-tongued, tough, smart woman who is prepared to tackle patriarchy in the police and the misogynistic behaviour of her colleagues and public. Regardless, it’s a difficult job being the first female detective in a country where the woman’s place is considered the home. She’s been transferred from the Helinski murder squad to a small regional police station. When an elderly man disappears in the forest surrounding his village she insists on investigating, despite the wishes of her boss. She quickly uncovers the remains of a middle-aged woman. The locals are clearly holding back information and she has to work hard to unearth clues. Ivar does a nice job at recreating the claustrophobic conditions of the small village heading into winter. There's a relatively small cast, with the local priest’s wife cast as Hella’s opposite: the dutiful, loyal housewife. The star of the book is undoubtedly, Hella, a feisty, uncompromising character, who rubs people up the wrong way even when she’s trying to be careful. She a wonderful creation. The story itself unfolds at a sedate pace, but has enough intrigue to keep the pages turning. It starts to unravel a bit towards the end, changing tempo and style, skipping forward and becoming more sketchy, whereas the majority is meticulously plotted and paced. And the denouement is a little far-fetched, not in the conspiracy but the unfolding. Nonetheless, Evil Things is an enjoyable read, elevated by a strong lead character.