
Mike Nicols writes in a confident, assured style, telling the story of Killer Country from multiple perspectives, tracing the thoughts and actions of all the principal characters. The characterisation is solid, with the dozen or so principal actors all multi-layered and complex, each flawed in some way and yet not simply cast as a ‘goodie’ or ‘baddie’. Indeed, there are no ‘good guys’ as such, all involved in deceit, corruption and violence as an everyday part of their lives and for whom morality is a fluid, grey soup. The writing strong and each scene is well structured and penned. Indeed, each scene almost operates as nice flash fiction pieces. Where the novel struggled a little was in the linking of these scenes into a larger whole. Because the story is told from so many perspectives, it sometimes seems a little bitty and disjointed, disrupting the flow. That said, the story drags the reader along. Moreover it evokes a very strong sense of place and also provides a fascinating insight into the complex social relations of the new South Africa. Overall, an enjoyable, complex, and sometimes unsettling novel that twists and turns to the last page.

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