After witnessing the murder of a fellow pupil, senior students of St Peter’s High School are taken on a weekend retreat to a secluded outdoor centre in the Scottish Highlands. Divided into cliques and full of hormones, anxieties, sexual insecurities and curiosities, and bravado, as well as counselling and prayer there’s an expectation of parties and clandestine liaisons. Accompanying them are three teachers and a young priest, hoping they can maintain control. Nearby, at a top-secret military base scientists and priests are conducting an experiment that seems to have opened a portal into Hell. Fighting for control of the project and its future, with the military and ensnared demons in the middle, it looks like religion is going to get its way and the portal closed. Similar debates about science and theology, philosophy and faith, are happening at the retreat, but very soon they are going to be put into practice as two worlds collide.
There are two great strengths to Pandaemonium: the wonderful way in which Brookmyre captures the personalities, insecurities and interactions of school trip to an outdoor centre; and the exploration of the themes of science and theology. Although it was sometimes a little confusing trying to follow the stories, insecurities and interrelations between thirty or so characters, the teenage angst and clique dynamics is very well evoked. In contrast, whilst the scientists and priests in the secret research centre are well penned, they lacked the same vitality. Where that thread of the story excelled was in the exploration of scientific philosophy and faith, with some really great passages about physics and theology. Running through both threads is a nice streak of dark humour. Up to about two thirds of the way through I thought the book was fabulous – insightful, rich, layered and fun. Then it takes an altogether darker turn towards horror as the two worlds of the outdoor centre and the research labs collide, with some fairly graphic violence and the more literary, thoughtful storytelling being jettisoned for gory action. And whilst Brookmyre tries to pull it all back round to philosophy and theology in the last few pages, it seems to end a little too abruptly and without a clear sense of the thoughts of all the leading characters. Nonetheless, Pandaemonium was a great read – lively, engaging, thought provoking, with a dollop of black comedy.
Showing posts with label Christopher Brookmyre. Show all posts
Showing posts with label Christopher Brookmyre. Show all posts
Friday, April 24, 2015
Monday, August 18, 2014
Review of All Fun and Games Until Someone Loses an Eye by Christopher Brookmyre (Abacus, 2005)
Jane and Alexis both had events in their teenage years that irrevocably changed their lives. Whilst enjoying being a punk in Glasgow, Jane became pregnant, married and settled down to a boring married life. In Canada, Alexis hacked into a classified site and ended up on the run in the South of France working for a shadowy high-tech, private security contractor who does lethal work for hire. Now forty six and a grandmother, Jane still dreams of being a secret agent, going on dangerous adventures and playing in the casinos of Monte Carlo. Alexis wants to give up fighting and killing baddies and to go to College. Both are trapped in their respective lives. But then Jane’s son Ross, a specialist in non-lethal weapons, disappears. Alexis’ firm is hired to locate him and they soon form a partnership with Jane, who’s steely determination to track him down means she soon living her James Bond dreams.
Brookmyre’s tales are always good fun, invariably a thriller tale wrapped up in dark humour and spun out as an edgy comic caper. So it is with All Fun and Games Until Someone Loses an Eye, which has a very nice hook about a dour Scottish housewife making a transformation into Lara Croft as a secret agent. The set-up is very nicely done, as is the unfolding of the plot and the denouement, with the action sequences particularly well conveyed. As usual, Brookmyre develops a colourful cast of characters, placing them a number of them slightly or fully out of place, and riffing on their interplay. The result is humour is ever present, though rarely spills over into belly laughs. The only downside is there is far too much explication and back story, with rambling long passages that added little but padding. Some judicious editing would have added a little pace and verve. Overall, an entertaining, well conceived, tongue-in-cheek thriller.
Brookmyre’s tales are always good fun, invariably a thriller tale wrapped up in dark humour and spun out as an edgy comic caper. So it is with All Fun and Games Until Someone Loses an Eye, which has a very nice hook about a dour Scottish housewife making a transformation into Lara Croft as a secret agent. The set-up is very nicely done, as is the unfolding of the plot and the denouement, with the action sequences particularly well conveyed. As usual, Brookmyre develops a colourful cast of characters, placing them a number of them slightly or fully out of place, and riffing on their interplay. The result is humour is ever present, though rarely spills over into belly laughs. The only downside is there is far too much explication and back story, with rambling long passages that added little but padding. Some judicious editing would have added a little pace and verve. Overall, an entertaining, well conceived, tongue-in-cheek thriller.
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